Thursday
Matt Silverman, Creative Director of Bonfire Labs,particularly known as being a roto expert in addition to a motion graphics and visual effects artist. Several years ago, he took it upon himself to enlist some of the best users in the field to construct a set of timeless, concept-based, software-agnostic visual effects training videos.
The links for Series 2 (covering compositing, keying, tracking, paint, and rotoscoping presented by Ron Brinkmann, Stu Maschwitz, and Scott Stewart) are below; watch them while you can:
Masters of Visual Effects 2.1 – Compositing Concepts 1 from Matt Silverman on Vimeo.
Masters of Visual Effects 2.2 – Composting Concepts 2 from Matt Silverman on Vimeo.
Masters of Visual Effects 2.3 – Keying from Matt Silverman on Vimeo.
Masters of Visual Effects 2.4 – Tracking from Matt Silverman on Vimeo.
Masters of Visual Effects 2.5 – Paint from Matt Silverman on Vimeo.
Masters of Visual Effects 2.6 – Rotoscoping from Matt Silverman on Vimeo.
from VideoPro Coalition
Monday
Wednesday
Tuesday
Friday
Found this over at hongkiat.com really good article about B&W Photography Check it out
photo Credit: Jana by LudovicMazet
Monochrome photographs are timeless, especially black and white photographs. They enhance emotional substance and have a disposition of making photos look more artistic.
They can be used on many different scenes as it’s not required to think about all the colors that should look good together and match the amount of light available. And for those who love to play with color, black and white photography doesn’t necessarily need to be boring as there are so many different shades to choose from….
Read the full Article [here]
Wednesday
I came across this amazing Poor mans solution to film scanning. This is my no means a perfect high Rez solution but film scanners are really expansive and this solution can be done at home at a fraction of the cost
What you need
- A digital SLR
- A piece of raised glass, such as a glass coffee table or a picture frame, set on top of books or boxes to raise it up.
- A piece of glossy photo paper without writing on the back. Generally off brands don’t have any writing on the back.
- An off camera flash or a very bright desk lamp.
- A tripod.
- Macro lens recommended but not required.
- Photoshop or another graphics editing package.
View the Full Articale By Adam Everett Miller at PhotoTuts [here]
Wednesday
An Amazing Tutorial From Artist Chris Zwar Taking a look at his workflow and creative process
As Chris himself points out, this isn’t a tutorial series in the sense in which the word ‘tutorial’ has been used too much lately. He doesn’t show the click-by-click steps that the viewer can follow without actually building any understanding. Rather, this is a series that aims to demonstrate and explore some important concepts in the context of a real-world project. I think that this gets back to the root of the word ‘tutorial’: it teaches.

Part 1 [here]
Part 2 [here]
Part 3 [here]


















